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Jose' Luis Diaz: News

The Rocknauts (epilogue) - July 29, 2010

The Rocknauts (epilogue)

  Generals had gathered around a small table in near darkness. Subdued glows from nearby wafted lazy shadows over every face. There were by this time very few of them left.

  “We have thrown out every sensor sweep we have at these boys since they arrived.” General Port was uncharacteristically un-animated as he sat back in a squeaky folding-chair. “Have any of our ‘geeks’ discovered anything useful?”

  “Dr. Starb is on the way down right now.” General Gray informed from Ports’ immediate left.

  They were a full mile below the earth’s surface. Death Valley lay above and intermittent rumblings were not seismic events. Eyes were locked on the senior general and furrowed brows ran all around the table. A small alarm sounded and a door slid open at the far end of the room.

“Dr. Starb, welcome aboard. What can you tell us?” General Port spoke with a defused ‘bark’.

  The frail little scientist walked up the end of the table and adjusted his glasses before speaking. “Ahem!” The dry air down here told him the ventilation system was failing. “The alien’s modes of transportation are very interesting.” Generals adjusted themselves in preparation for a long speech. “All analysis has uncovered very strange things indeed.”

  “We need to know everything, and quickly Doctor. It may already be too late.” General Nickson spoke up from halfway down the table.

  “Of course General,” Dr. Starb dropped a rather thick folder he had been carrying behind his back squarely onto the end of the table. Glasses of water, or whatever, rippled in the mute light. “These boys are ‘heavy’. The space time continuum is distorted ever so slightly in their immediate vicinity. I’ve ran the calculations myself with all known material specs and found a rather interesting curve along the periodic table. Still, I have no idea what they are made of. Scanners freely penetrate the materials and energy shields but all reflections returned are far less energetic than they should be.”

  A few eyes narrowed in their sockets.

  The Doctor went on, “A detailed analysis made from sensor and live video feeds during our initial attacks revealed that some of the electromagnetic and kinetic energies from our weapons were actually absorbed into the discs. With every impact or stand-off detonation a pressure wave of gravity force emanated from each. They got heavier for a fraction of a second with each energy absorption event.”

  General Juarez spoke up. “You mean to tell us that they got stronger, or heavier, the more we attacked?”

Dr. Starb dipped his head slightly in acknowledgement. “Exactly general,” he began, “They didn’t absorb everything but what they did absorb seemed to strengthen them. There were also noticeable sound pressure level increases each time this happened.”

  A particularly violent shockwave sped thru the darkened facility. Dust sifted down thru a small crack in the ceiling.

  “What about their ‘instruments’ appearing and disappearing?” General Port asked.

  “There has to date, been no instance in which any of their ‘tools’ were seen to be used as weapons. As for the way they deploy and store them, it’s either smoke and mirrors or,” he paused for effect, “flat plane technology.”

  A round of ‘guffaws’ and ‘harrumphs’ went across the table in loose unison as another concussion shook the room.

  Starb continued. “The energy bands now circling the earth are some form of very exotic plasma. It cycles randomly thru odd harmonic frequencies and there may be a correlation between frequencies and density. Nothing I’ve tried can lock onto the proprietary frequencies. The Cray in the basement here is even useless in that regard.”

  Hard sighs made rounds at the table.

  Starb went on. “It’s my guess that we got lucky when we thought we’d found an angle thru their shields. Up to that point most of our attacks were simply attritions. The nano-timing of the EMP and fusion blast may have hurt them but, I think it also just made them angry.”

  There was a long pause.

  “Gentlemen,” General Port addressed them all. “We have one option left.” He studied the raised brows all about him. “Doctor Starb here has a few pounds of antimatter stored on site. He informed me of this today and I ordered him to set up a containment breech.” Port motioned to Starb.

  The doctor stepped outside and returned after a few seconds wheeling a cumbersome metal box that barley fit thru the door. He entered a code on a small outside panel and all four walls silently slid upwards. Inside was a crystal canister about a meter long. It held a snowstorm of what looked to be multicolored cotton-balls that danced to some unknown rhythm.

  As all eyes zeroed in on the spectacle every other light was extinguished suddenly as another shockwave rippled thru. Several sets of lungs inhaled sharply yet no one said a word until Starb spoke up.

  “General Port,” He began. “With your permission?” His hand fell onto a simple valve on one end of the cylinder.

  The general nodded slowly, and then put his head into his hands on the table top.

  Not one man present noticed the electric taste in the air as the doctor pulled the valve open. Only afterwards did that unique flavor become apparent. It also was quickly obvious that they were all still very much alive. The antimatter in the containment vessel should have annihilated everything out to the ohrt-cloud.

  Mouths were forming words but long before any synapses could initiate the actions another ominous glow superseded the anti-matter. With a low frequency crackle a thin loop of blue energy leapt from opposite corners of the door. It wrapped itself around the open bottle of anti-matter and dipped a portion of itself inside. As it did so the sound of a rock band plowing thru an epic tune seemed to rain down from the desert far above. The anti-matter began to fade from the jar. All eyes darted to and from about the room. Looks of frustration and panic, dismay and confusion, all cycled across faces. Everyone present became aware that their atoms were being deconstructed and the hiss of loosed quantum foam was the last thing they heard.

Now That Really Felt Good! - July 24, 2010

Now that really felt good to do. I’m talking about the eleven chapter story I just finished. “The Rocknauts” developed from an idea I had back in high school. When Legasys and I were just forming up we went thru a ton of names before we settled on “Legasys”. Rocknauts was one of them that didn’t make the grade.

Back then, as the idea was forming I would daydream scenarios where the flying stages would go thru various maneuvers. One had the stage rider keeping his body in one spot while the stage bobbed up and down and twisted from side to side. The stage only moved as much as he could bend at the knees. Of course a dazzling light show emanating from the stage added to the imagery.

  I imagined all sorts of ‘powers’ for the stages and even had a keyboardist platform with semi-circular piano-boards. The speakers on the bottom of each saucer were loud enough to be used as weapons. The musicians could materialize instruments at will of various types. When I started “The Rocknauts” tale back in June of 2010, it was just a blog post titled “There Were Four…”. Many of the displays of abilities that followed simply flowed out of my hyper-active imagination.

  You can probably read a lot of my exposure to science fiction, both vintage and modern, in the story. In any case I hope you enjoyed reading it as much as I enjoyed writing it. Maybe I’ll publish it in book form, or in “E-book” format.

By the way, music was the ‘muse’, and most of the lyrics are mine. The exception is “If Rock Is What You Need”. That gem was penned by Joel Lopez.

On the winds of inspiration... - July 18, 2010

  Having finished ten songs, and being currently at work on an albun cover, I still have music in the back of my mind pestering me to let it out. There is one unfinished tune in the studio that only needs a polished vocal, mixdown and mastering. I might add it to the qeue of album #9. The jury is still out on that. Who knows? Maybe I'll do a few more tunes as well for it.

  I've ran all the wiring for the new gear and labeled everything so I don't muck up a mic with 'phantom-power'. It's going to be fun figuring out all the bells and whistles of these pre-amps and discovering which mics sound best with which boxes. Then again, if you've heard me sing...

  I bought the new Jeff Beck CD yesterday. It's a bit laid back but it is a blast to listen to. "Emotions and Comotions"  Proves he still has it and that his talent is unique. His style has no equal and his sound is like no other. The notes he plays seem to extrude from his very soul with effortless yet powerfully apparent emotion. My words cannot do justice to his talent and he humbles me with every note.

Nothing New - July 16, 2010

Nothing new to report for now. Still trying to keep cool and finish the artwork. Wish me luck please.

From The Archives Of LEGASYS - June 8, 2010

  I have been able to save very little from the days of Legasys. What I have discovered are 6 tracks. Some are of the first life performance and others are simply recorded practice sessions. I'll be tasked with trying to clean up the sound on them as much as possible. (That will take a lot of work.) Look for a release in the not too distant future. The artwork for "Clouds In Cathedrals" is coming along fine. That release will be coming soon!

In 1st Place For Now? - June 2, 2010

Looks like JOSE DIAZ is the #1 rock artist in Victoria on...

http://www.reverbnation.com/page_object/page_object_fans/artist_3774#/main/bes_chart?artist_id=3774&genre=Rock&genre_geo=Local

Now how on earth could that have happened?(humor)

THE GRINDSTONE - May 19, 2010

  The grindstone can become red hot at times. Such hypothetical radiation keeps us on our toes. Customers come at us from many different angles with many different problems and they all seem to need something as early as yesterday. It’s not unusual for the phone to start ringing long before sunrise. It’s equally not unusual for the phone to keep ringing long after sunset. Into each task we throw our combined years of expertise. We are the ‘team’ to beat. Few have found the resources to match our level of service and commitment.

  We are proud of the people we have worked with, and have had the honor of working with, over the years. There are more than a handful of heroes who have left their marks of wisdom on us. Many are gone from this earth but will never be forgotten.

  The oil and gas industry lends momentum to many aspects of the tireless engine that we call America. Despite pitfalls and bloodied noses, the products elicited from the earth are still the fodder for the relentless march of progress. Successes, and failures alike, pave the roads of history with individuals of extremely unique character and unmatched fortitude and unwavering resolve.

  When it’s time, (and trust me, it rarely is ever time), for me to come up for air, life, love, and music are the things I first breath in. Sitting on the couch or walking thru a mall with Glenda is always time well spent. She has her favorite shows and they always seem to grow on me. She has her favorite stores and I like to watch her shop. I got the life part down I think. The love part falls into place because of the life part, and rather easily. A smile a day makes life worth the effort.

  Music is a free range across which my spirit longs to take flight. With music my soul can gallop across infinite plains. With music I can fly to any time or place in the universe. Wherever music takes me, I will always take as much of ‘me’ as I can along. Whatever fits into the mental baggage is always allowed. Life and love compliment the carry-on very well.

  There is a feeling of being kindred in the world of music. Whether you’re a super-world-class-act, or a humble near-silent-do-it-yourself-er, music binds people together across race, gender, beliefs, morals, and time. The hallowed halls of super-stardom rang hollow recently with the passing of Ronnie James Dio. In his wake are timeless treasures of music. His fantasy styled lyrics and uniquely powerful voice will live on forever. No one before him ever shook the firmament the way he could with a scream. My breath of music that day was bittersweet. My CD collection has a few good memorial spins waiting my next breath of ‘music’. My focus is sharp. I know exactly where to start. There are ‘muses’ there too.

Saturday Afternoon I Was Watching A - May 16, 2010

  Saturday afternoon I was watching a Five Finger Death Punch DVD. I paused it in the middle of a tattoo slideshow and brought out a little amp and guitar. The amp is a small low-power affair. Nice tone, though I’m just now trying to find ‘my tone’ with it. I tweaked the sound a bit and then laid down a few good licks and tweaked a bit more. I was able to get a good crunchy sound that I could dial back with the controls on the guitar to a nice clean one. That saw me turn loose with a few more good licks.

  ‘And then, the phone rang.’

  It was someone I had not heard from for over forty years. I don’t remember his voice but I could tell it was him. My Father had called me from Panama. We talked for quite a while and it actually felt good to finally hear from him. For many years I contemplated how I would react. I honestly did not know what my reaction would be. So there it is now. I’ve welcomed him back into my life. There are many questions I have but not all of them are as important as getting to know him. The ‘why-did-things-happen-like-they-did’, and the ‘where-have-you-been’, and even the ‘what’s your poison’ can all wait. I’ve found my father is easy to talk to even though his accent has a thick Central American flair to it. We touched on a few memories and along the way, with each instance, I was more and more convinced that he actually misses his children. He was directed to my main website (legasyssongs) by my older brother and related congratulations to me for some of the things he found there. I’m not sure if he listened to any music, but he did say that my half-sister is a singer there in Panama. He knows that I’ve given him two grandchildren and one step-grandchild but we didn’t get to the great-grandchildren yet. He said that he felt it was time to get in touch before it was too late. I can understand where he was coming from. I could feel the fathers love for his son thru the phone line. I hope he felt a sons love for his father as well.

  So here I am armed with a phone number and few good tears of happiness. I can’t wait to see what these new ‘muses’ can guide me to.

Signed: Jose’ Luis Diaz - Second Son Of: Elvin Augustus Diaz II  

THERE ARE MANY - May 14, 2010

There are many young people today who are finding their way into the wonderful world of music one way or another. Some have found band class in school to be the perfect learning experience while others have found a pickup situation after school more to their liking. Theirs, one and all, is a future that beckons with new technologies that probably didn’t even exist when they were born. These future hit-makers and moguls are forging their way thru the situations of their everyday lives and music will see them to adulthood one way or another.

 

  The inspiration to make music can come from many different people, places, or situations. It can even simply appear out of the blue. Our minds are hardwired genetically to calculate and be drawn to the ratios of resonance in melodies. We know what notes and combinations of notes sound right and which ones are dissonant. Emotions from one end of the spectrum to the other are tied to the music we hear in our brains. We write music with those emotions. Without emotion, music is only, sound.

 

The spirit of youth is powered by an attentive tenacity locked onto the jugular of fun. If there is no enjoyment in what they are doing, kids move on in search of joy elsewhere. With music, a diverse collection of instruments is only the tip of the berg that can cause creative juices to flow.  We are blessed to have a cornucopia of musical genres to shuffle through and deal out in any mixture our imaginations can muster. (The sound of Linkin Park easily comes to mind.) Making music is like dreaming but with full control over the outcome. Finishing a song is like waking up from a deep sleep more or less.

 

Adding to instruments and musical styles, newer technologies bring the ability to record and publish to levels unthinkable a generation ago. Physical CDs are slowly fading away. MP3s are gaining like wildfire even thought the sound quality leaves much to be desired (to my old ears at least). PR is only a few keystrokes away on social networking websites where slick graphics and widgets can make an unknown artist or band shine like a supernova literally overnight. Distribution with little budget to work with, or speak of, is still a no brainer with places like CDbaby.com, Discmakers, Oasis, AimeSt, Reverbnation, Mioko Records, and the list goes on throughout the web and around the world many times over! Today the young and upcoming musical hopefuls have an almost infinite array of variables to work across.

 

Budgeting, which is probably the farthest thing from a young mind has fallen from its lofty alabaster tower of yesteryear. Great places to find great deals abound. The world of DIY has exploded with a tidal wave of new music that easily dwarfs the mainstream. Not only are prices falling on excellent gear, but the knowledge base for said gear is growing exponentially. If the cards are played right the youth of today may well become the audio engineers of tomorrow with no formal training and coffers full of prestigious awards. That is, as long as they have fun getting there. I think they will without a doubt. Having fun is the perfect muse.

ALL OF THE EMOTION - May 12, 2010

  All of the emotion with which Legasys made music back in the day is still entrenched deep within the recesses of my soul. The camaraderie and fervor is still as bright a light as it has ever been. We composed with youthful angst and abandon. We played with conviction and undeniable satisfaction. We got the vibe from audiences that what we were doing mattered then, and that it would still matter far into the future no matter what happened.

  We did not disband in any sense of the word. Rather, we went our ways one by one. The core of the group held on for as long as possible but the winds of the future gained strength and blew the final splinters away like so many bull-thistle seeds. Despite the final strenuous gasps, not one of us went away without looking back. To this day any former band mates I have talked to still have that spark in their voices and that high from the music is still perpetuating itself.

  I have recorded a handful or more of that old material and completed some songs the band never had the chance to. I’m still looking thru my collection for some old practice sessions we’d captured on cassette tape with an assortment of boom-boxes. Some are full band sessions and some are just guitars and bass with vocals. I once wired a walkman (cassette) up and feed it into a digital studio. It turned out rather noisy but it did do the job of preserving what I wanted to save from analog recordings. Now all I have to do is find those data discs.

  Revisiting what to me is historically the birth of Legasys brings all that emotion back up and into sharp focus. The way we interacted to create music was a blessing to each and every one of us. Even secondary band members took an active part in the structuring of our songs and wrote for us as well. Friends from other groups would drop in on practices to jam with us and we never shut anybody out for any reason. We were brothers in song and within us, the legend lives on.

Reel To Reel Discovered! - April 25, 2010

This past Saturday night Herman Cardona, (Bassist for LEGASYS back in the day), dropped by out of the blue and I threw a little jam for him. We talked about old times and old friends. He blew my mind when he told me he still had a reel of the studio work we'd done way back in the early 80s! If we can save those tracks and digitize them we will surly bring this stuff to you the way we meant it to be heard. With a little luck you will get the full on force attack of who LEGASYS was. I'm crossing my fingers and holding my breath!

"YARDMAN" & "ANGELS START TO FROWN" - March 20, 2010

I just added two new tracks to the player on myspace. Enjoy!

 I'm still working on the album cover. It's a bit hard for me to get to the hobby store right now.

FOERVER WONT STANDBY - February 22, 2010

I've put "Forever Wont Stand By" up on myspace. It's on my new album, CLOUDS IN CATHEDRALS.

Enjoy.

htp://www.myspace.com/legasyssong

 

Press Release - February 1, 2010

 

 

Contact: Jose’ Diaz                     FOR IMMEDIATE RELEASE:

Tel. 361/575-4154

Email: joseexist@legasyssongs.com

   

          CD: “CLOUDS IN CATHEDRALS”

 

  The latest release from the “Tornado-Fingered-Texan” Jose’ Diaz will soon be          

 

available on CDbaby.com. “CLOUDS IN CATHEDRALS” contains ten all new

 

tracks from the gulf coast solo studio artist and multi-collaborationalist. It will

 

mark the 9th release of all original material by Jose’ as it joins the other 8 albums at

 

CDbaby as well as other multiple websites. The album art is fully conceived and the

 

execution of the image(s) is all that remains to be completed.

 

  Diaz continues to contribute to the compilation series released through Victoria,

 

Texas based A.O.G.MEDIA. That entity also continues to collaborate with Jose’ on

 

several fronts. His guest guitar work can be found on several releases from Jesse De

 

La O, the head of A.O.G.MEDIA and an unknown artist or two are working on

 

covers of Jose’s music as well. Get more info on A.O.G.MEDIA here:

 

http://www.myspace.com/jessedelao1.

 

  In his own words:

 

     “I make music as freely as I choose to live my life. Fame, fortune, and accolades

of glory are never my targets to achieve. Whatever blessings God will bestow on me

are his to give. Whatever travails assault me because of my music, I accept without

shame.”

 

       Jose’ Diaz

                                                               # # #

   

    For more information: http://www.legasyssongs.com.

 

You may contact Mr. Diaz by E-mail at: joseexist@legasyssongs.com.

COMING SOON - January 28, 2010

CLOUDS IN CATHEDRALS

Ten all new tracks from the tornado fingered Texan!

pegasusscream.jpg

(This is not the album cover)

This Is What's Happening - November 29, 2009

1.) I think I've started to write a book.

2.) The concept for the next album cover is becoming clearer each day.

3.) The blog here works for me. (check it out.)

4.) (Stick around. I'll come up with something else really soon!)

SPECIFIC BLOG PAGE IS UP! - November 19, 2009

No need to go to the "news" page if you are looking for my blogs. The tab is just above the "news" tab! Enjoy!!!

9 songs done and the album cover is taking shape!
Stay LOUD!!!

AT THE FRINGES OF MY IMAGINATION (Pt. IV & V) - November 18, 2009

(Pt. IV)

At the fringes of my imagination I am punching holes in clouds with my air-bike. The tinted visor is down and I am listening to an old song on the radio. At mach two I’m pulling heavy gees with loops and spiral dives. The wind tugs at my suite but the suit won’t let it tear me away. It dampens the g-forces as well. I drop down onto the deck and go to mach three. Desert sands rooster-tail far behind me as I turn up the volume. FM compression sweetens every note. I dart over ocean and the rooster-tail turns to liquid. The sun glints softly off the blurred chop of the water. A hurricane lies ahead and I plunge into its heart. I go to mach four and surf the eye-wall. I pick up unbalanced electrical charge and arcs of lightening fire off in every direction. I add a bit more throttle and hit mach five. One more “nudge” and I’m at mach six. I look down and flip the readout screen to an old familiar picture. I add a bit more volume, leave the picture there and take the throttle to full. I catch up with my shockwave, pass it, and catch up to it again. The hurricane disintegrates and I fly off thru the residual sheets of rain. Each impact registers like an ordinance hit but the suit cancels the inertia. At my current speed a bulge forms on the oceans surface far behind me. This far out it will create an immense tidal wave when it reaches land. I kick in the after burner look at the screen and remember the way her hair smelled. One slight course correction and I’m headed to the stars.

At the fringes of my imagination I ignore the “de’javu” of greeting myself on the street. The other “me” comes to realize he will have to repeat my actions in his future. My warning is quick and to the point. Get back in the car and drive east as fast as you can. Drive until you run out of gas. Do not stop to eat or sleep. When you stop look for the cave on the right side of the highway. It will be behind the greenest bush on the rock face. Go inside before sunset. I watch myself climb back into my car and speed away. I pull the controller from my jacket and push forward. Time shifts me back to where I came from. I pull the gold encased circuit block from the device and throw it into the smelter. I make a note. “Move lab farther away next time.” Back at my workbench I begin to assemble the next time-ingot. I hope this one works. This loop is starting to wear me down. Once the “guts” are all in place I take the smelter and pour its liquid contents into the mold. A shot of compressed air quickly cools it and I pop it into place. I push stop and that eerie silence creeps coldly into my bones. I sit and think for millennia maybe. I know the shockwave of time is still traveling outward from the earth. It will pass countless worlds and none will ever notice it. I’m not aging and nothing else is either, nothing at all. This time around I will give myself a little more time to get familiar with the device. Then I will go back and meet myself again. Maybe two brains will be better than one. I, “we”, will have to find a way to divert and asteroid, stop three missile launchers from receiving false commands from transmitters I found out about after the exchange two hours from now, and try to find the “me” that sent me to this lab here in the city in the first place. He gave me the address and just enough time to get here and this crudely scribbled note which reads: “If I can’t find you again you must try to find me.” Yesterday I found out about “me” from the future. Today I found “me” of the past and delivered a crucial message. Tomorrow I will have to find “me” from the future, but first things first for tomorrow. My past self and I must save the world. I get up and go over to the cot. I lie down, push “play”, and set the alarm just before I doze off into fitful dreams.

At the fringes of my imagination I am just getting out of my car to go in a store to pick up a new multi-meter for my lab. Just as I slam the door I am taken by utter surprise as the spitting image of “me” walks up, introduces “myself”, and mutters something about a time loop. My memory quickly replays the results of a brainstorming session from years ago when I came up with a way to capture dark matter and incorporate it into normal matter. The first circuits I built did strange things to the devices I tried to use them in. I finally shelved the whole lot after designing a “time control device” that looked to have “potential”. There was a multi-piston engine that took precedent over time manipulation. The world needed fuel efficiency more than a time machine. In any case “I” delivered a rapid succession of simple instructions to myself, adding that the multi-meter I was picking up was already in the cave I would find on the side of the road after I ran out of gas. Even though I was extremely taken aback, I immediately jumped into my car and sped away. Time is nothing to joke about and I quickly came to my senses and made the pedal meet the floor. Approximately 800 miles later I ran out of fuel and pulled over to the shoulder. The sun was just coming up and I looked up at a small green bush on the side of the mountain I had been driving thru. After a strenuous climb I soon found my self at the back of a small tunnel cut out of the rock. A metal door with a retinal scanner stood before me. What else to do? I applied my eye into the scanner field and the door opened. Lights came on automatically and I found myself wandering thru a lab. I soon came to a familiar workbench and in the center was the very device I had designed all those years ago. I deduced that I must have built it sometime in the future. The perplexing thing though, was what on earth was “I” doing with it then? Why did I bring it back to myself? What mistake(s) could I have made that warranted this action? I sat about re-familiarizing myself with a device I was yet to build. Later, I found a huge store of food, water, and many other supplies. I hoped I had not stolen any of it from the future. After a nice thick rib-eye with a side of vegetable in a great cheese sauce and an awesome bottle of wine, I found a familiar cot and began to muse about stealing some of my own things for and from myself. What was I up to? I set the alarm and dozed off to a fitful dream. I was looking at two atomic clocks with different dates and times on them. I soon realized that I was sitting on a third clock. Just as soon as I did Two of “me” popped up from behind each of the other two clocks and began a confusing tirade about putting all out heads together to synchronize all three clocks. The scene looped around for a second time and we actually began to discuss it all more clearly. The third time about we almost had a plan. The fourth time we all commented on what we had for dinner. With the fifth round, we formed and agreed upon “our” plan. Before we could initiate it though, an alarm sounded and I was snatched from the brink of eureka! I sat up just in time to hear the main entrance slam shut and immediately thereafter, hear myself calling out my own name.

(Pt.V)

At the fringes of my imagination my stomach is tied into knots as I try to get my head around the fact that I have the power to save the world from itself and almost anything else. My little time control device helped me to use several of “my-selves” from the not too distant past to achieve wonderful things. The trick was to get my “selves” to utilize the device in synchronicity at different points along the time-stream. I went back and told myself to go to a special place where I, the real me, had constructed a lab complete with everything I would need there in the past to do great things. That “me”, in the past, would have to do the same to a previous “me”, and so on for as long as the forced loop could possibly be perpetuated back across time. I have no idea how many devices were created along the stream of time but we have done wonders. I have no idea how many times we, “I”, have saved the earth. From my own experience I remember replanting a lot of the rainforest in South America. I also remember doing it at several different “times” in my life. I remember turning a large portion of the Sahara into glass. Try as “we” could, there was no way to shut down a false signal aimed at several missile silos. What solved that problem was using another device to hijack the missiles in flight. Out of the thirty-eight launched weapons, all but one were; shut down and crashed, sent careening into space, or exploded in “misfire-mode”. That lone agent of death was steered over the desert and went off at low altitude. The resulting lake of glass reflected enough sunlight back into space to cool the planet down and bring about a small ice age that was not all that uncomfortable. The “asteroid” was a totally different story. Three or four of “us” had to stop time in three or four places along the time stream and hitch a ride on missile launches. We had to build maneuvering suites and after steering our missiles into precise orbits we waited for the right time when all three would come together in the right vicinity. The trip back home was a bit of a terror as if one of “me” had burned up on re-entry, “I” might not be telling you this right now. In any case we all got the spatial and the time coordinates just right. Four days after the “Sahara” incident, a bright flare filled the skies over the great lakes and the world watched as a 7 mile wide asteroid skipped off the upper atmosphere ever so slowly and headed for the sun. The whole “skipping-stone” looked great from the I.S.S. as it passed over the Sahara and many photos were snapped of the flaming underside reflected in the “mirror”. I don’t think I need to tell you how many of those original photos made it into my private collection. Some of my earlier selves, with a bit more hair and much less grey, actually had to destroy and rebuild their time devices. Dark matter is a fickle thing to work with. They put their solid-gold-circuit-blocks into smelters and then built new dark-matter circuits in the customary mold. The entire molten contents of the former ingots, circuitry and all, was then poured over the dark-matter and quickly cooled. New control features were added and the upgrades have filtered all the way up to me. Instead of the old “stop”, “play”, “rewind”, and “fast forward”, we now have a fine-speed control as well as a memory suite to get to specific times more quickly. The kicker though was when one of my “selves” added the “polarizer”. Now I can use that to live forever. It works a little slowly but I can see my hairline marching forward day by day!

AT THE FRINGES OF MY IMAGINATION (Pt.III) - November 16, 2009

At the fringes of my imagination I am pushing my little spaceships engines to the limit. A large pirate ship is trying to catch me. They want the meager amount of ore in the hold. I duck behind a small energized nebula, and they fall into my trap. They can see me and I can see them thru the deadly clouds. They try to accelerate around the obstruction and I tap my hand-held calculator using sensor read-outs for the numbers information I desperately need. In fifteen seconds I plug it into the claim launcher and let it clean up my hastily done math. “SOLUTION CONFIRMED” flashes on the secondary view-screen. I hit the plunger and my last claim marker leaves its tube under the left engine fairing. It flits away just outside of 186,000 miles per second leaving a bright arc that stabs into the beautifully colored clouds. I maintain my course and speed and watch as they do the same, gaining on me from thirty degrees back around the gas ball. The only thing I touch is the zoom button. The antagonist suddenly vents all atmosphere, and liquids. She relinquishes her arc and begins to cartwheel into the void. The claim marker did its job perfectly and skewered the Pirate ship dead center. The beacon begins to ping at me. I’ll have to get that thing back. There’s a ball of compressed carbon nearby that I need to plant it on.

At the fringes of my imagination I wipe my plate off and set it on the ground next to the warm embers. Here, near the edge of the mesa, there is a weathered crack 5 yards away to my slight left. I turn on my collapsible stool 12 degrees left and pick up my hard-beam plasma rifle. I hear the unmistakable rumble of a terra-bike echoing up from the valley between the mesas. He’s headed north. When I came thru last night I put my calling card right on the center line just beyond the last monuments of these “table-top-mountains”. I pull the multi-bolt back, twist it 90 degrees clockwise, push it forward, 90 degrees anti-clockwise, pull it back, and release it. As I level it the bi-pod pops out automatically and I hold the adjust button down until I find my angle of comfort. Rifle-butt settles into shoulder and the ear-piece in my right ear hisses to life. The transmitter is down there near my “card”. The bike clears the foot hills of the mesa and then the last monument. I hear the rpms drop. I slowly spell my last name just like it is in bright red spray paint down there. Then, right on queue, the dual-piston spiral-spinner engine roars to maximum power. He has seen my card. I have pulled the trigger. My goggles dampen down the glare that erupts just beyond the dry-sites as a plasma bolt 4 feet long and 4 inches wide heads to target. With a shower of sparks a black fan is burnt into the asphalt. The concussion of the bolt and blast knock boulders from the nearby monument. I hear them hit the ground with cracks and thuds. The last outlaw is gone. In his wake a lizard skitters across black, hot, snow.

At the fringes of my imagination I am watching the “Titanium Swan” from the cool sandy beach. She sits just this side of the horizon. Her light show has dulled from the pre-dawn extravagance that it was half an hour ago. The neck reticulates. “S-curving” back over the main fuselage. Metal-feathered wings stab up into the sky. The whine of her engines ripples across the calm surface of the bay startling bait fish. The body tilts back at 45 degrees. In one massive motion the neck stabs forward whistling the bridgehead skyward. The wings twist forward and sweep down squeezing water from the very air. The engines ignite thrusters boiling almost 4 million gallons of seawater to steam instantly. The tips of the wings almost touch the sea as the most beautiful launch one can ever witness happens before my eyes. Rainbows dance thru the steam-clouds as her lights surge on her engines exertions. They mix with the suns rainbow and they shake like timpani and koto membranes. The landing gear push off from the submerged pad and tickle back into the exhaust plumes just enough to tip the body slightly upward for the second bite of the wings into fresh air. The fuel mixture adjusts to a clean blue flame and she levels out into a flight path. The wings will not have to beat a third time today. She picks up speed and just before going over the horizon turns nose up and heads for the stars.

In 1981 I Bought An Album - November 14, 2009

In 1981 I bought a cassette. Remember those? It was Van Halen, Fair Warning. It was chock full of awesome tracks. It still is. Track number five was “Unchained”. The intro to that song has withstood the test of time with me. When I get tired of listening to that track, I will stop listening to it.

“Unchained” is one of those tunes that I learned mere parts of. The intro was such a part. Punching the flanger effect in and out was the hardest part. Just that intro was infectious to the point of being a drug of sonic mayhem that no substance could ever match.

I used to buy guitar magazines just to look at the hands on guitar necks in the pictures. I wanted to glean new chords from the masters of rock and metal. Of course that never got me much of anywhere. I did however create my own stretching exercises for my hands. The muscles have memorized a lot so I rarely have to do them these days.

I used to hate guitars tuned flat and down away from concert pitch or standard tuning. I learned to play in standard tuning. I dreaded having to try to “loosen” the strings to reach a “D” down on the “E” string. Nowadays I keep one 24 fret axe tuned down to “D”. It’s just the one and all my others are tuned “standard”. The truth is that “de-tuning” makes it easier to sing to the music. Still, it does nothing for my horrid vox.

I’m still wrestling with trying to formulate a concept for the album I’m working on. Track number nine is almost done. I’m afraid I might break a vocal chord trying to do the vocals for it. If I do, so be it. The lyrics crave such energy. I aim to oblige my inspiration. It’s a version of alien contact and by all probability not whatever you might be thinking. Ask me for the lyrics some day.

Here is a tidbit you might like. When I record an album of music I have a loose interpretation of whatever I am feeling, when I start, as I create the songs, and as I finish the last track. The continuity of the album, for the most part, is dictated by the order in which the digital studio I use stacks the songs up. I may have made and intentional track progression on a past album but, if it was really that important, I’m defiantly not the man for the job. I just want to convey my inspiration. I handle an album by pushing play. That’s all I do and then, I listen to it. That’s what I do with any CD I buy. I have to do it with my own just to make sure what I felt is still there. Sales mean nothing to me. Emotion is my focus. If I can make you feel something then I have succeeded. If I cannot then I have failed.

AT THE FRINGES OF MY IMAGINATION (PART II) - November 12, 2009

At the fringes of my imagination I am on a stage. The wind at my back is a result of the dance my fingers are doing on six steel strings. The heat on my face is a result of the ocean of faces I confront. The balance between the two forces pitches back and forth in a powerful tide. We are all locked in a loop of energy that feeds back and forth between us. This is a sonic mud-wrestle.

At the fringes of my imagination I am in the first balcony with an unobstructed view. The stage glows and hard sonic winds buffet everyone. The floor hums as the ceiling flies away. The smoke will never go down. This will last forever. I came for the guitar solos and my eyes burn towards the stage.

At the fringes of my imagination I am using lightening bolts as an energy source for billion watt amplifiers. Tectonic plates are cracking and soil is becoming airborne. I am louder than the thrum of the sun. The core of the earth begins to “ping-pong” about within the mantle. The “beat” turns everything to vapor. The “rest” is when everything freezes. Yin and Yang are locked into the perfection of creation and destruction. The undeniable consummation wrinkles the fabric of space and time.

At the fringes of my imagination I am strolling on a pathway of floating stones. Water falls from an ocean far above on my left and disappears into a cloud of steam miles below. A citadel sits atop a floating mountain to my right and the sparse dispersion of stones gives way to solid ground that leads to the main gate. Three suns refract multiple rainbows everywhere in the mist. Wispy, ballooned, jellyfish, and four winged birds drift by. Stars twinkle from behind the mountain. The galactic plane slices thru the background.

At the fringes of my imagination I am beating my feathered wings with no afterthought. I am swinging my crucifix-sword with conviction. I am slicing thru leather-wing and horn. Cloven hooves kick at my shield in futility. I climb the mountain of the vanquished at the same time that I construct it. The horn-blast is still getting louder. As far as the eye can see, my companions and I are building mountains. We are constructing heavens parking lot. We are right on schedule.

At the fringes of my imagination I am aware of many things. I have traveled the greatest distances by remaining motionless. I have gained multiple lifetimes of knowledge in the smallest fractions of instances. The wisdom I discover is always there, circling in ether I create with infinite ignorance. The love I feel fills oceans with tears and there is more than enough left over to build uncountable salty comets.

At the fringes of my imagination I am not alone. There is no baggage. There is no class separation. There is no launch. There is no landing. There is only what you allow me to inspire, what you inspire, and, what you create.

AT THE FRINGES OF MY IMAGINATION - November 11, 2009

I extend my deepest of thanks to all veterans who sacrificed so much for the freedoms I enjoy today. May God Bless them for what they have done, are doing, and may well do in the future. Thank you!

At the fringes of my imagination I am one-hundred-sixty-five-million years in the past, looking up from the surface of the moon. A lone pebble falls silently towards the earth. My eyes zoom in as it touches down. The flash becomes a bright red fireball. I watch the shockwave race across the oceans and thru the atmosphere. Ejectum billows out in a deadly rosette. Fingers of soot tipped with ember arc gracefully and return to the surface. Fires spread to even the dark side. The blue marble becomes black.

At the fringes of my imagination I am one-hundred-sixty-five-million years in the future. I move in parallel with the voyager-1 spacecraft, half a light year away from its dead hulk. A light zips into view but seems to be moving in reverse. A ship re-enters normal space and the hull cools from dull red to a royal metallic blue. A docking bay opens on its side and a mechanical arm juts out. The Voyager is deftly plucked from its lonely free-fall course and drawn inside. They will have to invent the phonograph.

At the fringes of my imagination I am at the galactic core. The torus surrounding a super-massive black hole screams with energy. Nothing is falling in at the moment but a few wisps of dust. A gentle wind of gamma and X-rays materializes above and below. The warp of space bends my soul and I reach out to cup my hands around the anomaly. Beads of light fall away from my eyes and into the depths. These are the last winks of long dead stars. Their death throes preserved in the tracks of frozen light they left behind as they made their final journey.

At the fringes of my imagination I am swimming on the sun. I body surf the shockwaves from massive eruptions for thousands of miles. I slalom thru cathedrals of magnetic force lines. I watch wave after wave of coronal mass flying away as lines snap with megatonic force. The thrum of the sun is drowned out by the hiss of energy rejoicing in new freedom. I dive down deep and find the core. I tickle the hydrogen atoms just before fusion and blow the photons about like dandelion seeds.

At the fringes of my imagination roses rain down on crowded streets. The soldier kisses the girl. Everyone smiles. The celebration is not for the end of a war. It is for the fact that there will never be another war, ever again.

At the fringes of my imagination I am motionless yet moving beyond the speed of light.

At the fringes of my imagination, in a fraction of any given moment, I, am, everywhere.

YOU DON'T HAVE TO BE,,, - November 10, 2009

“You don’t have to be old to be wise.” I snatched that anthem up, for a time, when I was young. It was a fitting treatise in the form of a song that fueled my teen angst and powered the engines of my rebellious nature. That wisdom burned its’ candle wax out long ago and now that I’m older, I can still hear it reverberating deep in my memory. The smoke that never settles and the soot that cannot be washed away flavor my personality.

We gain many pearls of wisdom growing up but most just fizzle out after so long. “Live fast and die young” was one. “Age before beauty” was another. Bravado has got to be one of the most fun-to-use mindsets there is. True or false, it can glide your heart and soul right through any situation practically unscathed. Many years later, if you but look back, you will see the trail of your own blood left by scars you never noticed. The scabs are probably so faint that they are hard to locate. Still, though seemingly useless today, such was and is the crux of many an anthem. God knows how strongly I believed in many anecdotes in my youth.

Each generation will interpret its own anthems and they will stand out. The young will never be lacking any conviction or originality when it comes to their “pearls”. I respect the young for many of their actions, even the questionably motivated ones. Words and phrases will be twisted out of normal language into “pop culture” or “fads” of pronunciation and definitions non-standardized. By methods of madness that will forever escape grown-ups the code of the young will forever be just beyond cracking. They are resourceful and I think they deserve to run the world for a year or two just so we can give them a chance to prove themselves. Who knows? We might just be surprised.

Seas of faces and pumping fists greeted the heroes of youth who catered to the bravado of the young. I once dreamed of being such a hero but of course fate had other ideas. I’m actually kind of glad she left me alone. I believed in dying young while famous in order to stay famous. In many a drunken stupor I probably asked people to “take care of it” while I was on stage and in the bright spotlight. Such hindsight must be something like 80/80, or 8/8. Fame has a sweet taste indeed, but I’d rather just be me these days. I’m no Bon Scott, Phil Lynott, or Jimi Hendrix.

The shelves in the halls of fame may creak under the weight of egos. The air in there is ripe with energy too. Few can listen to Stevie Ray Vaughn and not want to move some part of their body. Few can hear Mozart without their mind leaping and bounding with both powerfully serious and powerfully playful emotion.

The dead-and-famous have cemented their image into society. They can forever be enjoyed without having to embellish any extra imagination onto their legacies. But we the fan and listener can always exercise that prerogative.

The living-and-famous are still pouring their forms. How everything sets up will be determined by the weight of their actions and the mettle of their “product”. Some are literally dying to elevate their status. Some are just “being themselves”.

An artist’s harshest critic, after themselves of course, is the general public. They will be the end-determinate of the staying power of an artist and their work. Close friends and family are biased. Professional critics are simply ramrods for attention and cannon fodder for the gun barrels of fame. Good reviews as well as bad reviews work great for the simple fact that they can get attention. A fan that makes the effort to “find out for themselves” is truly priceless.

I run all my new material by Glenda. Her honesty is invaluable in that she hates Hard–Rock and Heavy-Metal music. If the guitars give her a headache then, I must be on the right track! I’ll write something softer to impress her and, if she likes it, then that is a bonus for me in and of itself. I change what I can after she makes a review. It’s always hit or miss but as long as I’m having fun, not much is left untried. Still, I can’t seem to convince her to let me record her singing a soft composition. She has a beautiful voice. I’ll keep trying. She sounds far more famous than I ever will.

LIFE POURS IN AS TIME POURS OUT - November 7, 2009

Life pours in as time pours out. Memories make ripples that go on forever. The sand-mound builds inexorably towards the bottleneck it will never reach. The hourglass is fixed and will never be flipped. Our souls are but targets for the arrows of life. Hit or miss, experiences are always complete. Complete at least in the fact that they each produce a tangible memory.

Over time the “tangible” fades for some. For others it lingers brightly or even intensifies. Some memories are best forgotten, others can never be.

Emotions weld themselves to memories and try as we might to burn them off, they are bonded fast. We throw ourselves on those tempered blades over, and over with each reminiscence. Intentional or accidental, we know the pain too well. At times we welcome it as a pry between reality and what we want. At other times we shun it as a prickly thicket we cannot avoid falling into.

The “here and now” is but a shallow thing. No matter how much it means to you, it is fast approaching, here a moment, and then on its way. What you do with it will determine what memories it creates. Live it wisely, or live it wildly, here and now, there you are.

Tomorrow is a hope un-spoken. Words only cloud our view of the future. Those who think they can spell out the future are simply illiterate. Those with the gift to actually see it are never taken as seriously as they should be. Those who worry about it must take proper care not to damage today. A damaged today is difficult to match up to any tomorrow.

Yesterday is many things remembered, forgotten, and much, much more than either combined. A parade of faces fades into the infinity behind us. Wisdoms bricks are mortared into place. Wisdoms plates are beaded together with welds great and small. Wisdoms windows and doors and gates complete the fortress of our intellect. Yesterdays’ tears are the lazy ocean we drift upon in good weather. Storms are always just beyond the horizon, logged on pages past.

We cannot fix the past but we can fix tomorrow by adjusting today. Trial and error will gladly show us the way but if we don’t listen to it, we will repeat ourselves endlessly. Trial and error has built a rather large library with walls that bulge under the weight of the knowledge contained therein. It’s a great place to do research. Everybody should be eager to go there first, before they visit the putrid halls of conflict.

Kind Of Prophetic? - November 6, 2009

RAGE ON DISPLAY

By: JOSE’ LUIS DIAZ-4/9/2007-2:35PM-2:50PM

(V-1)
How long did you hold it in?
Do you remember when it began?
Which straw was the one that breaks?
Do you realize your last mistake?
Of rage!

We can’t see it in your eyes
So how long were you in disguise?
We saw the path you painted red
Now we want to see what’s in your head
(Chorus)
Rage! , on display
That rage! , from yesterday
That rage! , our blood ran cold
Rage! , within your soul
(V-2)
Tell us did you think it wrong
Did you feel remorse in the end?
Some wept seeing what you did
If we turn you loose will you strike again?

Comfort do you feel it now
Show us your scars inside and out
Open let us look inside
Do you realize how many died?
(Lead) (Chorus) (Lead)
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